If the subject is a collective noun like People, Foulelfmeter, Group, Ensemble, Band, Orchestra, Team, Majority, Herd, etc., the verb is generally singular, although it has a plural reference. My family is of Irish origin. (My family is of Irish descent.) The audience booed for ten minutes. (The audience drank for ten minutes.) However, contemporary French verbs are wonderful, because as soon as you memorize regular endings and irregular conjugations, you did it! Now you can practically express everything in the present. And of course, those annoying irregular verbs, like everything (to go) and have (to be). One of the most difficult parts of past control is the development of the subject agreement. When should you apply certain contractual rules and when can you ignore them? It is important not only to know how French subjects and verbs “converge” on certain points, but also to know when they should agree. This means that it will be much more difficult to coordinate French subjects and verbs. Specifically, the French verb agreement is tense in the past. Concordance with the verbs of perception is even more difficult. They only require agreement if the subject of infinitive precedes the verb of perception. There are four verb constructions that require agreement on the subject. And veiled, we have come to the end of our lessons on the agreement verb in French.
There are other specific cases than the ones I mentioned here, but they are what they are: very specific cases, and I decide not to list them here. I hope, however, that you will take this as proof that French grammar is indeed driven by importance! Don`t forget to read the second part: the agreement of the French past participants. The agreement with the pronoun verbs is less simple. In general, since pronoun verbs use “tre” as auxiliary verbs, they must be approved with the subject. Now let`s talk about how to work with verbs in the imperfect. It also occurs when one subject is real and the other is useful for comparison or exclusion: then the agreement is with the subject itself. French verbs must correspond to their subject in a large and grammatical person, whether or not this subject is expressed. There must always be a match between the subject and the past in the passive voice, in all times and moods. The verbs which, as a verb helping in the times and the composite moods, require the question of a “tre” require, in all these conjugations, consistency with the subject. The verbs and themes correspond in terms of gender and number. You may have already noticed this trend in the three examples above. As I have already explained, the verbs of the use of being in the compound past must correspond to the subject, both in number and in sex.
If you read a story in the past and see the conjugated form of “Tre,” you should expect there to be a verb arrangement.